Hallveig Ágústsdóttir
sound & visual artist
2014
>> group exhibition @ the white house, contemporary art gallery, Lovenjoel (BE)
>> exhibiting @ D'Apostrof Kunstengalerie, Meigem (BE) 27/04 - 18/05
>> tectonics music festival @ Harpa, Reykjavik (IS) 10 - 12/04
>> CTRL+N II - performing with Kaja Draksler @ THNK, Amsterdam (NL) 5/04
>> TUMULTINGENT #2 @ 13 b - creative platform, Ghent (BE) 19/03
>> performing with guitarist David Watson @ EI, New York (US) 13/03
>> #1 exhibition @ 13 b - creative platform, Ghent (BE) 2/03
>> AROUND LINES @ Cecilia Jaime Gallery, Ghent (BE) 8/02 - 8/03
>> group exhibition "DRAWINGS+" @ Light Cube Gallery, Ronse (BE) 26/01 - 6/03
>> performing with violinist Marieke Berendsen @ Galerie William Wauters (BE) 18/01
>> performing with contrabassist Ilya Ziblat Shay @ Studio Loos, Den Haag (NL) 16/01
FROM GRAPHIC SCORE TO SOUND DRAWING – A PERFORMANCE
sound & visual artist
2014
>> group exhibition @ the white house, contemporary art gallery, Lovenjoel (BE)
>> exhibiting @ D'Apostrof Kunstengalerie, Meigem (BE) 27/04 - 18/05
>> tectonics music festival @ Harpa, Reykjavik (IS) 10 - 12/04
>> CTRL+N II - performing with Kaja Draksler @ THNK, Amsterdam (NL) 5/04
>> TUMULTINGENT #2 @ 13 b - creative platform, Ghent (BE) 19/03
>> performing with guitarist David Watson @ EI, New York (US) 13/03
>> #1 exhibition @ 13 b - creative platform, Ghent (BE) 2/03
>> AROUND LINES @ Cecilia Jaime Gallery, Ghent (BE) 8/02 - 8/03
>> group exhibition "DRAWINGS+" @ Light Cube Gallery, Ronse (BE) 26/01 - 6/03
>> performing with violinist Marieke Berendsen @ Galerie William Wauters (BE) 18/01
>> performing with contrabassist Ilya Ziblat Shay @ Studio Loos, Den Haag (NL) 16/01
Interview on 5/02/14 @ TUMULT.FM ON AIR by Bert De Geyter >>>
"KLANKENBOS - a sound drawing"
cello > Bianca Bongers & Hallveig Agustsdottir > sound drawing
cello > Bianca Bongers & Hallveig Agustsdottir > sound drawing
FROM GRAPHIC SCORE TO SOUND DRAWING – A PERFORMANCE
Hallveig’s
performances are purified reflections on sound and image, finding their
roots in the 'graphic score' as it started to appear in the 1950s in
the works of composers such as J. Cage, E. Brown, and M. Feldman.
Each
drawing leads towards and is at the same time the immediate result of a
new composition. The improvised communication between artist, computer
and musician creates an environment where sound and image combine and
conduct each other. What remains is a witness; a drawing / a video
composition capturing the gesture of drawing, melody and rhythm.
errel © 2013
recent works >>
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- from '21 sound drawings' series 1 & 4 / 29,7 x 21 cm / graphite, pencil, ink and acrylic on 230 g/m2 Bristol paper
